The forecast is for rain so we take our umbrellas with us to the new Acropolis Museum. It's impressive - big and so shiny new that the marble approach is near lethal when wet. Technologically modern too. For a modest €5 you get a ticket with a bar code scannable at the entry barrier.
The first pediment we see is actually a bit of a disappointment. Close up, the figures are actually a bit rough and crude. And of course we've just come from a London visit to the Elgin marbles at the British Museum, a much larger collection than is here. An injustice not lost on the Greeks, as the short historical film on the acropolis depicts Lord Elgin as a vandal, although it also shows earlier Christians destroying "pagan" parthenon friezes with a self-righteous fury worthy of the Taliban (a portrayal that has occasioned protests from the Orthodox Church). Most of the artefacts are a impressive, particularly because they are displayed on pedestals that can be completely circled, allowing you to lean in as closely as you like. Four of the six caryatids from the erechtheon are here, one nearly faceless - and missing other vital bits as well. A fifth is hidden behind screens, where it is the object of laser based restoration techniques.band number six resides at the British Museum.
The museum cafe is a pleasure too. It's large and glassed in and we stop for a Greek coffee there, sitting by the window with an excellent view of the (back) side of the acropolis.
And before we leave we spot, almost accidentally, a brilliant little animated film on the history of the acropolis. It's witty in an almost Pythonesque way, with terrific visuals. Kudos to the producers!